The "Chopped Not Slopped" style, pioneered by DJ Screw and refined by The Chopstars, involves slowing the tempo, dropping the vocal pitch, and using "chops" (turntable scratches and repeated phrases) to create a psychedelic, swampy atmosphere.
Rather than just being slower, the remixes often create entirely new rhythmic pockets. For example, the haunting central sample of "Glock in My Lap" becomes more disorienting, and Drake’s guest vocals on "Mr. Right Now" take on an "undead" quality.
Released on , SAVAGE MODE II [CHOPPED NOT SLOPPED] is the official slowed-and-remixed version of 21 Savage and Metro Boomin’s chart-topping sequel album. Crafted by legendary Houston collective OG Ron C & The Chopstars (specifically OG Ron C and Slim K), the project reimagines the original's gritty Atlanta trap through the lens of Houston’s iconic "chopped and screwed" culture. Core Concept and Production 21 Savage SAVAGE MODE II [CHOPPED NOT SLOPPED...
Contains the 14 "ChopNotSlop" remixes, including a unique "Purple Savage Mode II Intro".
Critics and fans alike viewed the project as more than a publicity stunt, but rather a meaningful tribute to . By officially releasing this version through Epic Records and Republic Records , 21 Savage and Metro Boomin bridged the gap between modern Atlanta trap dominance and the foundational aesthetics of Houston and Memphis. AI responses may include mistakes. Learn more A Review of Savage Mode II: [Chopped Not Slopped] The "Chopped Not Slopped" style, pioneered by DJ
Includes the original 15 tracks from the standard album for direct comparison. Key Highlights & Guest Features
While the original cover art already referenced the classic Southern Pen & Pixel aesthetic of the 90s, the remix version features the same art with a signature purple overlay , nodding to Houston's "purple drank" culture. Project Structure Right Now" take on an "undead" quality
The actor's authoritative narration, which defined the original album's cinematic feel, remains a cornerstone of the remixed experience. Reception and Significance