Directed by Bernardo Bertolucci , this surrealist piece depicts the dying moments of an old man surrounded by figures who represent different facets of his life and society, blending dreamlike imagery with existential dread.
It stands as a rare time-capsule where the "Big Three" of Italian cinema (Pasolini, Bertolucci, Bellocchio) worked alongside the leader of the French New Wave (Godard). Amore e rabbia (1969)
The film rejects traditional narrative, favoring long takes, jump cuts, and allegorical storytelling. Legacy and Context 🎞️ Directed by Bernardo Bertolucci , this surrealist piece
Though originally titled Evangelio '70 , the directors used biblical themes primarily to critique the Catholic Church's role in modern society. Directed by Bernardo Bertolucci
Directed by Jean-Luc Godard , this segment explores the impossibility of communication and love in a world dictated by ideology and political conflict, featuring two lovers on a rooftop.
The film is divided into five distinct parts, each utilizing a unique visual language:
Each segment questions whether a single person can maintain their humanity or "love" while the "anger" of the collective world rages around them.