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Ãëàâíàÿ / Íîâîñòè / 10 èþíÿ 2024 ãîäà / Ôèëüì «Midas Man» âûéäåò îñåíüþ 2024 ãîäà

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Äàòà: 10 èþíÿ 2024 ãîäà
Àâòîð: thorkhild
Èñòî÷íèê: Beatles.ru
Òåìà: Brian Epstein (Áðàéàí Ýïñòàéí)
Ïðîñìîòðû: 4807
Ïîäåëèòüñÿ:           

ôîòî

Ôèëüì «Midas Man», ïîñâÿùåííûé Áðàéàíó Ýïñòàéíó, âûéäåò îñåíüþ 2024 ãîäà â Ñåâåðíîé Àìåðèêå.

Ãëàâíóþ ðîëü ñûãðàë Äæåéêîá Ôîð÷óí-Ëëîéä. Ðåæèññåð — Äæî Ñòèâåíñîí.

Ôèëüì ðàññêàæåò î ðîëè Ýïñòàéíà â êóëüòóðíîé ðåâîëþöèè 1960-õ ãîäîâ, à òàêæå åãî âêëàäå â ìóçûêó.

Êîììåíòàðèè (âñåãî 78, ïîêàçàíû ïåðâûå 3) - ÷èòàòü âñå êîììåíòàðèè â òåìå ôîðóìà "Ïÿòûé Áèòë / Midas Man (Jonas Akerlund / Éîíàñ Îêåðëóíä) (2022, õóäîæåñòâåííûé ôèëüì, Âåëèêîáðèòàíèÿ)"

Their segment tonight was "The Transition Timeline: Evolution of an Icon." They weren't just showing old photos; they were deep-diving into the cultural shift of the last decade. They spoke about the pioneers of the platform—the ones who uploaded grainy videos from bedroom closets in 2012—and compared them to the high-def, high-fashion world they occupied now.

Jax, a trans man with a sharp undercut and an even sharper wit, adjusted his ring light. Beside him sat Maya, a trans woman whose makeup was, quite literally, a work of art. They weren’t just creators; they were the architects of a digital revolution.

Maya looked at the monitor, watching the comments continue to pour in long after the screen went black. "It’s funny," she mused. "They call it 'content,' but for the kids watching, it’s a map. We’re just making sure the path stays lit."

"It’s not just about the medical journey anymore," Maya told the camera, her voice steady and resonant. "It’s about the joy. We’re trending because we’re finally being seen for our talent, our humor, and our art, not just our trauma."

As the show progressed, they featured "The Daily Tea," a segment where they highlighted rising stars on the platform: a non-binary woodworker in Montana, a trans girl in Seoul doing avant-garde SFX makeup, and a trans-led garage band from London.

10 èþíÿ 2024 ãîäà - âñå íîâîñòè äíÿ

10 èþíÿ - íîâîñòè ýòîãî äíÿ â ðàçíûå ãîäû

Cumshot Tranny Tube -

Their segment tonight was "The Transition Timeline: Evolution of an Icon." They weren't just showing old photos; they were deep-diving into the cultural shift of the last decade. They spoke about the pioneers of the platform—the ones who uploaded grainy videos from bedroom closets in 2012—and compared them to the high-def, high-fashion world they occupied now.

Jax, a trans man with a sharp undercut and an even sharper wit, adjusted his ring light. Beside him sat Maya, a trans woman whose makeup was, quite literally, a work of art. They weren’t just creators; they were the architects of a digital revolution. cumshot tranny tube

Maya looked at the monitor, watching the comments continue to pour in long after the screen went black. "It’s funny," she mused. "They call it 'content,' but for the kids watching, it’s a map. We’re just making sure the path stays lit." Beside him sat Maya, a trans woman whose

"It’s not just about the medical journey anymore," Maya told the camera, her voice steady and resonant. "It’s about the joy. We’re trending because we’re finally being seen for our talent, our humor, and our art, not just our trauma." "It’s funny," she mused

As the show progressed, they featured "The Daily Tea," a segment where they highlighted rising stars on the platform: a non-binary woodworker in Montana, a trans girl in Seoul doing avant-garde SFX makeup, and a trans-led garage band from London.

Ñàìûå ïîïóëÿðíûå íîâîñòè ïîñëåäíåãî ìåñÿöà

   

Äîïîëíèòåëüíî
Òåìà: Brian Epstein (Áðàéàí Ýïñòàéí)

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