: His technique involved "finger tapping"—training the fingers to act as independent levers—which allowed him to play with extreme speed while maintaining perfect separation between notes.
: The PianoTV Performer Spotlight provides a detailed breakdown of Gould’s "Bach Wizard" status and his unique technical training. Glenn Gould - Bach, Concerto No. 7 in G minor O...
: Gould recorded this piece on May 4, 1967 , with conductor Vladimir Golschmann and the Columbia Symphony Orchestra. Music critics often describe this specific G minor rendition as "robust" and "strongly etched," contrasting with the more delicate movements of Bach's other concertos. Interpretation Highlights : Music critics often describe this specific G minor
: Gould was known for adding his own ornamentations and "left-hand fillips," sometimes even incorporating first violin parts into his piano line to fill out the texture. : Listeners often notice Gould’s characteristic humming in
: The Piano Files with Mark Ainley offers an expert's take on the 1967 Golschmann recording, specifically defending Gould's choice of piano over harpsichord for this work.
: Listeners often notice Gould’s characteristic humming in these recordings. While some find it distracting, others see it as evidence of his total immersion in the music. Highly Rated Articles & Media
