Joe_bonamassa_1964_fender_stratocaster_guitar_o... Page

: The 1964 model year marked a transition for Fender, moving toward pickups with gray flatwork. These specific single-coils are noted for being particularly punchy and high-output compared to earlier "black bottom" versions. Playability

: Bonamassa immediately noted the guitar's resonance and feel, stating it was "going right on the road" to be used as a primary stage instrument rather than a museum piece. : Joe also owns a 1964 Candy Apple Red Hardtail Strat joe_bonamassa_1964_fender_stratocaster_guitar_o...

" , is a unique piece in his vast collection that challenges the traditional vintage collector's obsession with "all-original" condition. While most collectors prize factory finishes, Bonamassa was captivated by this specific guitar for its odd aesthetic, exceptional playability, and powerful voice. Origin and Acquisition : The 1964 model year marked a transition

. This non-stock finish, which Bonamassa has humorously called "the coolest, most hideous guitar" in his collection, is what gives the instrument its signature look and nickname. Technical Features and Tone : Joe also owns a 1964 Candy Apple

(nicknamed "Red Robin") purchased from the same shop, which lacks a tremolo system, offering different sustain and tuning stability. Legacy and Signature Collaboration Greenburst" Strat Go to product viewer dialog for this item.

Despite the refinish, the guitar retains the core components that define a high-performance pre-CBS Stratocaster:

was engineered to capture the "magic" of the original’s gray-bottom pickups, utilizing period-correct wiring and staggered Alnico 5 magnets.