Peter Thomas is renowned for an "in your face" attitude in his compositions, often using avant-garde segments and "earworm" incidental music that redefined the sound of 1960s German cinema. This 1998 compilation is part of a broader discography that includes other essential works like 100% Cotton (1997) and Moonflowers & Mini-Skirts (1998). Peter Thomas – Kriminalfilmmusik - Discogs
Peter Thomas's , released in 1998 on the Prudence label, is a definitive compilation of his innovative "jazz-meets-orchestral" scores for German crime films (Krimis). Key Album Highlights Peter Thomas - Kriminalfilmmusik (1998)
: It includes original music from several cult classic German thrillers, most notably those based on Edgar Wallace novels: Der Zinker (1963) Die seltsame Gräfin (1961) Der Hexer (1964) Das Verrätertor (Traitor's Gate, 1964) Zimmer 13 (1963) Das Geheimnis der weißen Nonne (The Trygon Factor, 1966) Peter Thomas is renowned for an "in your
: The album is a mix of Jazz, Stage & Screen, and Easy Listening. It features Thomas's signature "off-kilter" and experimental sound, characterized by sharp orchestral pop and thriller themes. Key Album Highlights : It includes original music
: The album contains rare tracks and outtakes, such as "Black Mamba" and "Shout At The Hexer," providing a deeper look into his creative process beyond just the main titles. Why It Matters
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