Samantha At Onlytgirls -

To her surprise, her profile started gaining traction quickly. Fans began to follow her, comment on her posts, and even send her messages. Samantha was thrilled and a bit nervous; she wasn't used to being in the spotlight.

As she wrapped up her livestream, Samantha felt a sense of accomplishment and belonging. She knew that she still had a lot to learn, but she was excited for the journey ahead. And as she drifted off to sleep, she couldn't help but wonder what the future held for @SamanthaSweetie on OnlyTgirls. samantha at onlytgirls

As she became more comfortable on the platform, Samantha started to experiment with new content. She created a dance video to her favorite song, which quickly racked up thousands of views. She even started a Q&A session, answering questions from fans and sharing more about her life. To her surprise, her profile started gaining traction

The night of the livestream arrived, and Samantha's nerves dissipated as she went live. She chatted with her fans, answered questions, and even performed a few tricks. @HotGuy88 was one of the first to join, and they had a fun conversation about everything from their favorite TV shows to their love of hiking. As she wrapped up her livestream, Samantha felt

How was that?

samantha at onlytgirls

Prince Rama Varma

Carnatic, Saraswati Veena, Vocal

Prince Aswathi Thirunal Rama Varma (born 13 August 1968) is a Carnatic vocalist and Saraswati veena exponent from the Royal Family of Travancore, descended from composer Maharaja Swathi Thirunal and artist Raja Ravi...

samantha at onlytgirls

Vidushi Nandita Padmanabhan

Carnatic, Vocal

Vidushi Nandita Padmanabhan is a Carnatic vocalist and educator born into a musically rich family in Bangalore, now based in Dallas, Texas. She received early training from respected gurus like Vidushi Madhavi Rajagopalan and...

samantha at onlytgirls

Lalgudi G. Jayaraman

Carnatic, Violin

Lalgudi Gopala Jayaraman (17 September 1930 – 22 April 2013) was a renowned Carnatic violinist born into a distinguished musical family in Lalgudi, Tamil Nadu. Trained by his father, Gopala Iyer, he began accompanying singers...

samantha at onlytgirls

Learn to play tabla from beginners to advance with Gurdain Rayatt. Online classes are starting soon!

Aruna Sairam | Kalinga Nartana Tillana | Krishna

Recorded at Darbar Festival on 17 Sep 2016, at London’s Royal Festival Hall. Musicians: - Aruna Sairam (carnatic vocal) - Jayanthi Kumaresh (saraswati veena) - Jyotsna Srikanth (carnatic violin) - Nevyelli Venkatesh (mridangam) - Ghatam Karthick (ghatam) - Kruthika Nadarajah (tanpura) - Mithila Sharma (tanpura) An extraordinary vocal recreation of Lord Krishna’s mythical battle with Kaliya, the fearsome five-headed snake who boiled the waters of the Yamuna River around them. Kalinga Nartana Tillana is Aruna Sairam’s vocal rendition of Lord Krishna’s mythical battle with Kaliya, the fearsome five-headed snake who boiled the waters of the Yamuna River around him as they fought. It is based on a 18th century composition by Oothukkadu Venkata Subba Iyer, complete with rhythmic vocalisations to describe Krishna’s battle dance, and the hissing sounds of the snake. The music is set to the pentatonic Raga Gambhiranata, in the 8-beat Adi Tala. Aruna Sairam’s voice brings a husky authority to modern Carnatic music. She first learnt to sing by listening to her mother and is part of a long line of female musicians. The direct teaching lineage stretches back over 200 years, to the singers and dancers of the Tamil court. She is an exponent of ‘pure’ Carnatic singing but also looks outwards, with collaborations ranging from jazz and Sufi to Gregorian chant and film scores. She sings in 12 different languages, and vice-chairs the Sangeet Natak Akademi, India’s premier national music and dance institution. She pulls no punches when it comes to the psychological obstacles faced by female musicians today: “You’re constantly told you’re not good enough…it can be more difficult to be in touch with your inner talents, as society expects women to nourish others first.”